《Love Looks Not with the Eyes》PDF电子书下载

Love Looks Not with the EyesPDF电子书下载
《Love Looks Not with the Eyes》内容简介
Anne Deniau / Harry N. Abrams / 2012 / USD 75.00 - Lee Alexander McQueen (1969–2010), whose design combined visionary aesthetics, emotional power, and extraordinary craft, was known for staging provocative shows that were as much performances as venues to display his couture creations. Charged with energy, informed by history and culture, and filled with fresh concepts, McQueen's shows have become legends not only of fashion but also of art. Anne Deniau was the only photographer allowed backstage by McQueen for 13 years, beginning in September 1997 and ending with the final show in March 2010. She captured McQueen working with his close circle of collaborators—including designer Sarah Burton, milliner Philip Treacy, jewelry designer Shaun Leane, and model Kate Moss—to create his meticulously produced spectacles. Her book offers an inspiring homage, through the art of photography, to the work of a great artist.
Praise for Love Looks Not With the Eyes: Thirteen Years With Lee Alexander McQueen:
The pictures are evocative of the torture, the toughness and, most of all, the tenderness of Mr. McQueen.” —New York Times
“Deniau's close connection to McQueen and her appreciation for his formidable talent is like many of the pieces he created: breathtaking.” —San Francisco Chronicle
“Thekinetic color and black-and-white photographs document the fantastical,shocking spectacle of a McQueen show in action: hairdos trussed up with birdsof prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrialcheek prostheses. The images are sensual, spooky, and whimsical, playing up thedrama of McQueen's vision; like one of the designer's fabulous garments, thephotographs transform fashion into high art. The book is both an homage and amemorial; this celebration of McQueen's vast, unique talent is also a eulogyfor his tragic loss.” — “Haute couture has a reputation for spectacle, but Anne Deniau's photographs remind us that it's also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Ale
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